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Sanjay Narayanan
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Filmmaker based in Chennai, India.
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about Me
If I must disappear, let my films stay awake
03
My given name is Sanjay Srikant. As a filmmaker, I work under the name Sanjay Narayanan—trying to understand the world and leave something behind that time cannot erase.
At twenty, I wrote and directed my first feature film, Maalai Nera Mallipoo, made on a shoestring budget. For nearly two years, the film struggled to find its place. I was asked to move on. But how do you abandon a part of yourself and walk away?
FRAGMENTS OF ME
04
Creative creations
Sanjay Narayanan’s exquisite, moving ‘Maalai Nera Mallipoo‘ ,on aha, takes us into a sex worker’s psyche – National award winning film critic Baradwaj Rangan
Working within Tamil cinema in India, where independent spaces are rare, the journey was isolating. Yet the film found its way through international festivals and eventually to a digital platform, where it was met with deeply positive responses from critics and audiences.
I want to live forever through my films—forever and ever. In each one, I want a part of me to remain. Cinema is not just a medium to me; it is my lifeline. This art held a broken boy together—and maybe, through stories, made him immortal.
main story
06
My journey
Some of my very first memories are not of play or comfort, but of fear.
Of my mother’s silence. Of raised voices. Of watching her endure domestic abuse before I even understood what violence was. Those images stayed with me long before I had the language to name them.
After that, it was just the two of us. She raised me alone, carrying her pain quietly, in a time when it wasn’t common for women to work or survive independently here in Chennai . She went out every day to earn enough to keep us alive, and I learned early what it meant to wait, to be alone, to grow up faster than you should. The house often felt empty—but it was heavy with things left unsaid.
I spent most of my childhood by myself. A television, a DVD player, and a few pirated movie CDs became my companions. In the dark, cinema felt like presence. Like someone sitting beside me, saying, I see you. I’m here. Those films didn’t just distract me—they held me. They gave shape to feelings I couldn’t yet speak.
Somewhere in those quiet hours, a desire took root. Not just to watch stories, but to tell them. To make something that could reach children like me and say, Hey man, I got you. To give back the comfort I once received.
I don’t come from background or money. What I have is an undying, unyielding love for cinema—and a need to tell my stories honestly and loudly. If my films can make even one person feel less alone, then this journey means something.
Fragments Of Me
Sanjay Narayanan’s exquisite, moving ‘Maalai Nera Mallipoo‘ ,on aha, takes us into a sex worker’s psyche – National award winning film critic Baradwaj Rangan
Art
is all
I
have
Art
is all
I
have
Art
is all
I
have
Art
is all
I have

Project
Film 